After completing the first recording, production and mixing phase, my interest in increasing our production quality got higher. I especially wanted to gain more knowledge in the field of mixing and recording — particularly drum recording.
Having “caught the bug” during the initial sessions, I became increasingly curious about unconventional approaches to capturing drum sound, especially in the context of immersive music production. Influences from producers and engineers such as Moses Schneider and Hans-Martin Buff encouraged me to further explore alternative recording strategies and to actively test the potential of non-standard microphone placements.
All other instruments and tracks were recorded using the same approaches already described in the previous production phase.
I will document the following recordings in the next blog posts.
