Sometimes, things change unexpectedly – and that’s exactly what happened with my master’s project. I had already explored different ideas, including building my own studio monitors or a binaural microphone. But then, my focus suddenly shifted.
For some time now, I’ve been deeply fascinated by 3D audio and how sound can be experienced not just in stereo but in a fully immersive space. The more I explored the topic, the more I realized that this was something I truly wanted to dive into. However, making the final decision wasn’t easy.
About two weeks before my project expose was due, I had an inspiring conversation with Mr Sontacchi. His words gave me the confidence I needed and reinforced my belief that my growing interest in 3D audio was not just a temporary fascination but a real opportunity for my master’s project. This conversation gave me the final push to fully commit to this idea.
Then, I had an epiphany: Why not connect this passion with something I already love? My band, Flavor Amp, is currently working on a concept album about addiction and dependency. Since we want the music to be deeply emotional and immersive, integrating 3D audio into the production seemed like the perfect way to amplify the storytelling aspect of our songs.
Instead of focusing on hardware development, I decided to explore how 3D audio combined with Sound Design can enhance emotional storytelling in music. I want to experiment with different techniques, from Ambisonics to Dolby Atmos, and find out how spatial sound design can strengthen the narrative of our album.
This decision was a turning point for me. It wasn’t just about choosing a project; it was about following a passion that connects my studies, my creative interests, and my band’s music. The next step? Developing a concrete plan and shaping the project into something truly meaningful.
