The Silent Art of Waiting: Rethinking Design for Transitional Spaces

In an era defined by constant connection, waiting has become a paradox. Moments of pause—once natural and even necessary—are now often filled with distractions like scrolling through our phones. But what if these transitional periods were reimagined not as empty spaces but as opportunities for connection and reflection?

The Psychology of Waiting

Waiting is a deeply human experience. Psychologists describe it as a state that exposes our relationship with time, control, and expectation. Studies reveal that environments can significantly influence how we perceive waiting. Bright lighting and cold spaces, for example, can amplify feelings of impatience, while warm colors and calming sounds can soothe and even shrink our perception of time.

In today’s hyper-individualistic culture, the isolation of waiting is amplified. We are more likely to disengage from the world around us, retreating into personal bubbles of content and communication. The result? Lost opportunities for organic social interactions, empathy, and moments of shared humanity.

Research reveals that our perception of wait times is heavily influenced by anxiety and uncertainty. When we don’t know how long we’ll have to wait or why the delay is occurring, our stress levels increase significantly. This phenomenon is known as waiting anxiety. In contrast, environments that offer clear communication about waiting times or provide distractions can significantly reduce stress, even if the actual wait time remains unchanged.

Designing for Connection

Some designers and artists have taken up the challenge of reimagining these spaces. Studio Swine’s Can City transformed the urban act of waiting into a moment of collaboration and creativity, sparking connections in a city often dominated by hurried routines. In Tokyo, Nakagin Capsule Tower’s compact communal areas emphasized shared experiences in transitional spaces, offering a striking contrast to the isolation of modern architecture.

Reimagining waiting spaces can create environments where connection and interaction take precedence over isolation. One example is the Waiting Room Project by artist Jana Napoli. In this project, Napoli transformed a sterile hospital waiting room into a space designed to encourage social interaction. By incorporating art and communal seating, she helped alleviate the tension and isolation often associated with waiting, turning it into a shared experience.

Waiting in the Age of Fragmentation

Our century has been described as one of “splintered modernity”—a time when our communities, relationships, and even our own attention are fragmented. Waiting, often considered an annoyance or inefficiency, offers a counterpoint to this fragmentation. By embracing it as a communal and reflective experience, we can combat the isolation that characterizes much of modern life.

The design of these spaces can be subtle but impactful. Small interventions—like public seating arranged to encourage conversation or calming elements like plants and natural light—can turn waiting into an act of engagement. The artist Candy Chang’s Before I Die walls are a beautiful reminder of how public spaces can inspire self-reflection while creating a shared narrative of hope and aspiration.

A Return to Rituals

Ultimately, waiting is an ancient ritual—one that, when acknowledged and designed thoughtfully, has the power to reconnect us to ourselves and to others. Instead of rushing to fill every pause with distraction, perhaps we should allow ourselves to feel the weight of waiting.

So next time you’re waiting—whether at a bus stop, in a line, or for an uncertain future—look around. What do you notice? And what might design do to turn that moment into something worth remembering?

Invisible Connections in Public Spaces: How Communication Design Can Reveal and Strengthen Everyday Rituals of Belonging

Public spaces are more than just places we pass through—they are where communities grow, and social connections silently form. The concept of social capital—the value created through relationships and social networks—often thrives in these shared spaces, but it’s rarely noticed or understood. Additionally, there are countless unseen roles and small contributions made by individuals that keep these spaces welcoming and functional. From janitors who clean early in the morning to street vendors who create a sense of familiarity, these “unseen workforces” form an essential part of the community fabric.

Taking Inspiration from Interactive Projects

Communication design can illuminate these hidden layers of social capital and unseen labor, making these connections visible and appreciated. For example, artist Candy Chang’s Before I Die project, launched in New Orleans, invites people to share personal hopes on public chalkboard walls, creating spontaneous, shared moments that strengthen community ties.

Similarly, Subway Therapy by Matthew “Levee” Chavez took place in New York City’s subway stations. By encouraging commuters to leave sticky notes with messages, he created a shared, empathetic space during a time of high tension.

Krzysztof Wodiczko’s Place des Arts projection in Montreal, Canada is another powerful example. Using video projections, Wodiczko gave a platform to marginalized voices, allowing individuals to share their personal stories and feel seen within their own city.

Towards an Inclusive and Interactive Future

Looking forward, the design of public spaces is moving toward a more inclusive approach—one that fosters a sense of belonging for people of all backgrounds. By understanding and revealing the invisible rituals that already exist, we can create environments where everyone feels seen and heard, even without speaking. Communication design has the potential to amplify these subtle, often overlooked interactions, turning everyday moments into powerful experiences of connection.

Over the next few semesters, I will be diving deeper into how communication design can illuminate these unseen social bonds. This will involve exploring case studies, conducting field research, and experimenting with new design approaches. The goal is to create design interventions that not only highlight invisible connections but also strengthen them, making the silent rituals of public life more visible and meaningful to all who encounter them.